英文電影觀后感
下面，小編為大家整理關(guān)于英文電影觀后感十四篇，其中包括《肖申克的救贖》、《當(dāng)幸福來(lái)敲門(mén)》、《她比煙花寂寞》、《玩具總動(dòng)員1》、《功夫熊貓》、《美人魚(yú)公主》、《冰河世紀(jì)3》、《飛屋環(huán)游記》等多部英文電影的中文觀后感，還有包括《哈利波特》、《后天》、《口是心非》、《重回17歲》、《the devil wears prada》、《Half-Blood Prince》等多部英文電影英文觀后感，歡迎大家閱讀
英文電影《肖申克的救贖》觀后感（一）
在我看過(guò)的所有影片中,《肖申克的救贖》是最能打動(dòng)我的一部影片。特別是劇中的男主人公在一個(gè)風(fēng)雨交加的黑夜，沖破監(jiān)獄的圍墻越獄成功后，伸出雙臂擁抱自由的經(jīng)典畫(huà)面，更是深深的震撼著我的心靈。這是對(duì)自由的渴望，更是對(duì)生命的致敬!
影片《肖申克的救贖》一般被認(rèn)為是一部勵(lì)志片。但是，在我看來(lái)，它不僅僅是一部勵(lì)志片，更是一部探討生命，自由以及人處于逆境中所迸發(fā)出來(lái)的超乎想象的潛能的影片。
影片故事集中發(fā)生在一個(gè)叫肖申克的監(jiān)獄中，四面都是高墻柵欄，只有抬頭仰望天空時(shí)，才會(huì)發(fā)現(xiàn)外面還有另一個(gè)世界。主人公因?yàn)榉ㄍサ牡恼`判而被監(jiān)禁在這里�；蛟S，許多觀眾都會(huì)認(rèn)為主人公的后半生都會(huì)在這里度過(guò)了。對(duì)于監(jiān)獄里的其他犯人來(lái)說(shuō)，這里或許就是他們以后的歸宿。他們好像已經(jīng)接受了命運(yùn)的安排，整天就是打架，賭錢(qián)，絲毫不在意大墻內(nèi)外的不同世界。在他們的內(nèi)心深處，已經(jīng)不存在監(jiān)獄這堵墻了。他們已經(jīng)放棄了對(duì)生命和自由的渴望，但是，對(duì)于主人公來(lái)說(shuō)，他沒(méi)有放棄……
起初，主人公表現(xiàn)的與其他犯人沒(méi)有兩樣，只是一直比較沉默寡言。然而，不再沉默中爆發(fā)，就在沉默中滅亡。孰知這長(zhǎng)久的沉默是為那最后瞬間的爆發(fā)而積蓄著巨大的能量。主人公憑借自己的聰明才智給監(jiān)獄長(zhǎng)洗錢(qián)而受到重用，而后又堅(jiān)持每周給監(jiān)獄上級(jí)寫(xiě)信，要求撥款在監(jiān)獄建圖書(shū)館。在堅(jiān)持了幾年的每周寫(xiě)信后，監(jiān)獄上級(jí)終于同意撥款建圖書(shū)館。就這樣，主人公一步一步，悄無(wú)聲息的實(shí)施著自己的計(jì)劃，終于在一個(gè)雷雨交加的黑夜，主人公終于沖破了監(jiān)禁他20年的監(jiān)獄.。當(dāng)監(jiān)獄長(zhǎng)看到那幅畫(huà)底下的那個(gè)大窟窿時(shí)，一切都真相大白了。觀眾無(wú)不為主人公的聰明智慧所折服，真是大快人心!
20年的時(shí)間足以摧毀一個(gè)人的意志，消磨一個(gè)人的耐心。但是，影片中主人公卻沒(méi)有被時(shí)間所摧毀，卻顯示出了更強(qiáng)的生命斗志。當(dāng)人處于逆境中時(shí)，人的潛能到底有多大，誰(shuí)也不知道。但是，當(dāng)你對(duì)生命和自由有強(qiáng)烈的渴望和追求時(shí)，積聚在你內(nèi)心深處的巨大潛能就會(huì)迸發(fā)出來(lái)，這就是生命的力量，讓我們向生命致敬!
英文電影——談美國(guó)電影“當(dāng)幸福來(lái)敲門(mén)”的觀后感（二）
只要今天夠努力，幸福明天就會(huì)來(lái)臨。
這是一個(gè)根據(jù)黑人投資專(zhuān)家Chris Gardner的傳記性圖書(shū)《The pursuit of happyness》這一真實(shí)的故事改編的電影主人公克里斯·加德納的成長(zhǎng)過(guò)程并沒(méi)有父親的陪伴，28歲才第一次見(jiàn)到父親。于是當(dāng)他也做了父親的時(shí)候，他發(fā)誓要做一個(gè)稱(chēng)職的好爸爸。然而天不遂愿，這位單身父親屢遇不順，遭遇失業(yè)等不幸，和年幼的兒子相依為命、流離失所。為了兒子的幸福，加德納咬緊牙關(guān)重新振作，處處向機(jī)會(huì)敲門(mén)，并毛遂自薦進(jìn)入一家證券公司工作，從最底層的員工做起。終于皇天不負(fù)苦心人，他最后成為知名的金融投資家。之后，他慷慨解囊，熱心捐助公益活動(dòng)，成為全美知名的慈善人物。而過(guò)程中支持他咬緊牙關(guān)的最大動(dòng)力，除了寶貝兒子外，就是他始終相信：只要今天夠努力，幸福明天就會(huì)來(lái)臨。
幸福從那里來(lái)?當(dāng)一個(gè)人屢屢遇到不幸的時(shí)候，你是否堅(jiān)持了你的夢(mèng)想，你是否為了幸福而堅(jiān)持不懈了呢?
影片開(kāi)始時(shí)克里斯·加德納在人潮涌動(dòng)大街上迷失在一張張笑臉中茫然地佇立“為什么人人都快樂(lè)，我卻不能這樣呢”。片尾當(dāng)克里斯·加德納通過(guò)試用再次來(lái)到那里時(shí)，他為自己鼓掌振臂。
你要幸福，那就去追求。
英文電影《她比煙花寂寞》觀后感（三）
我去到一個(gè)黃金王國(guó)，欽博臘索山，科托帕克西山……
你牽著我的手，跨越奧里諾科河，越過(guò)火熱的卡拉哈里沙漠，橫過(guò)南非的蠻荒草原，經(jīng)過(guò)曠野……
回到了家……”
金碧輝煌的音樂(lè)大廳，潮水般的狂歡，人群興喜躁動(dòng)的眼神
透過(guò)這一切，我看到你
站在十三歲的沙灘，我們牽著手，我們擁抱著彼此，我和你，曾靠得那么近
為了靠近你，我放棄了一切;為了靠近你，我深深地傷害你;為了靠近你，我終于失去了自己
天空很低，很藍(lán)，海天交接的地方，像鍍金的奶油，甜膩膩的
潮濕的沙灘，因著海水顯得格外的柔軟
悲傷的大提琴，和著海風(fēng)，將你的輪廓一遍遍勾勒
其實(shí)，我一直如此深刻的愛(ài)著你，如此脆弱而倔強(qiáng)的愛(ài)著你
英文電影《玩具總動(dòng)員1》觀后感（四）
最近，我看了一部極具“人情味”的動(dòng)畫(huà)片，它的名字就是《玩具總動(dòng)員》。
它講述的是：
胡迪是小主人安弟最喜歡的傳統(tǒng)牛仔玩偶，他和其他玩具趁主人不在時(shí)，便會(huì)“活”起來(lái)一起玩鬧。可是好景不常，最新奇的熱門(mén)玩具巴斯光年來(lái)了，他讓胡迪備受冷落。失寵的胡迪為了鞏固自己的地位，只好處心積慮地想要趕走巴斯。最后，胡迪和巴斯不幸化敵為友的故事。
看完此片，我想到了那些以前被我丟棄的玩具，它們?cè)诤诎档睦�，廢棄堆里，是否會(huì)傷心，是否會(huì)抱怨?我想是的，因?yàn)樗鼈儾粌H僅是玩具，它們也是有思想的，當(dāng)你的玩具被你遺忘的時(shí)候，他們也會(huì)難過(guò)的。
或許，你現(xiàn)在覺(jué)得那些老玩具已經(jīng)不潮了，但是你在拋棄他們的時(shí)候，沒(méi)有懷念過(guò)曾經(jīng)與他們?cè)谝黄鸲冗^(guò)的美好時(shí)光嗎?
英文電影《功夫熊貓》觀后感（五）
還是一貫的夢(mèng)工場(chǎng)的高水準(zhǔn)，畫(huà)面精致細(xì)膩，人物生動(dòng)傳神，故事情節(jié)曲折動(dòng)人，最重要的是它以最簡(jiǎn)單易解的方式說(shuō)明白了一個(gè)道理，那就是——世界上沒(méi)有任何捷徑和秘籍，唯一的制勝法門(mén)就是相信自己。
不想再說(shuō)更多的劇情，因?yàn)樗娴暮艹錾�。看的過(guò)程中，頻頻出現(xiàn)人們會(huì)意的笑聲，整個(gè)氛圍相當(dāng)?shù)妮p松和愜意。這個(gè)片子做得非常地道，一點(diǎn)兒也沒(méi)有是由西方人演繹的感覺(jué)，不論是故事還是其中傳達(dá)的意境，不論是畫(huà)面還是其中的細(xì)節(jié)，都是東方式的;唯一特別的可能就是出現(xiàn)的現(xiàn)代的口語(yǔ)，比如ok之類(lèi)的。
英文電影《美人魚(yú)公主》觀后感（六）
周日中午沒(méi)睡午覺(jué)，特意看了動(dòng)畫(huà)片《美人魚(yú)公主》，相信這部動(dòng)畫(huà)片很多人都看過(guò)，因?yàn)樗利�，浪漫，充滿了神秘的氣息，而且制作精美，設(shè)計(jì)巧妙，又尤其美人魚(yú)形象堪稱(chēng)一絕。
美麗的愛(ài)麗兒是一條可愛(ài)的小美人魚(yú)，她一心向往人類(lèi)世界，每天都想盡辦法游出海面，企圖能夠接觸人類(lèi)�？墒墙佑|人類(lèi)世界卻是人魚(yú)法律所禁止的。她聰明、勇敢、喜歡冒險(xiǎn)，常和她最好的朋友小比目魚(yú)胖胖還有音樂(lè)大臣賽巴斯丁一起出去探險(xiǎn)
個(gè)人很喜歡美人魚(yú)這個(gè)動(dòng)畫(huà)角色，也許每個(gè)女人潛意識(shí)里都會(huì)有些浪漫情結(jié)吧(老公經(jīng)常強(qiáng)調(diào)我不浪漫，太現(xiàn)實(shí)，喜歡斤斤計(jì)較，抓住別人的小辮子不放，雖然我一直沒(méi)找到機(jī)會(huì)和辯詞來(lái)進(jìn)行反駁，但我心里是從來(lái)都沒(méi)承認(rèn)過(guò)我有這么多的缺點(diǎn)的。)，雖然小孩都上幼兒園了，但還是喜歡看這個(gè)動(dòng)畫(huà)片。
英文電影《冰河世紀(jì)3》觀后感（七）
從兩只松鼠的開(kāi)場(chǎng)到兩只松鼠的結(jié)束將此故事做了一個(gè)引導(dǎo)的作用。
整個(gè)故事給人有種從外界進(jìn)入一個(gè)環(huán)境美麗但確又有著難以想象的冒險(xiǎn)，最后戰(zhàn)勝敵人最終boss魯?shù)暇然嘏笥训搅俗约旱募覉@完美結(jié)局。整部影片的故事情節(jié)很生動(dòng)，讓人的心里有隨著故事發(fā)展起伏和夸張的似人情感表現(xiàn)出角色的觀眾的心理舒暢，有讓人在觀看中找到解放天性，狂放野性奔放的想象力等，除此之外還有里面的角色的擬人行為思想和動(dòng)作的結(jié)合體現(xiàn)給我的感覺(jué)是很有趣、很搞笑、很輕松。影片給我的第一感覺(jué)是很獨(dú)特有種讓人想進(jìn)入這樣環(huán)境的感覺(jué)。在影片的畫(huà)面和音效的完美結(jié)合中給人的第一印象是非常有好感。
英文電影《飛屋環(huán)游記》觀后感（八）
本影片在沒(méi)有冰河時(shí)代那種有搞笑和賞心悅目也沒(méi)有那種驚奇的搞怪夸張幻想在里面，只是很似人的故事情感的塑造了一個(gè)人物的思想和被改變到最后的為了救羅素和kevin和查爾斯的戰(zhàn)斗讓故事有了一個(gè)很好的體現(xiàn)人的性情和理想愿望等。他在為了完成心愛(ài)人的愿望將他們的房子放到天堂瀑布不懈努力堅(jiān)強(qiáng)執(zhí)著一定要將這件事做完而放棄了kevin被查爾斯抓走而為了房子放棄營(yíng)救，看出他心里情緒是多么在乎他妻子的愿望不為過(guò)之后，看了妻子留給他的……而想通。之后他在回想到與羅素、kevin和狗的生活，這些讓他感受到了朋友的重要。他就馬上行動(dòng)去救羅素。他就把所有房子里的東西讓自己……在有失去房子他那時(shí)的心里和最后羅素坐在房子旁數(shù)車(chē)的色彩，說(shuō)明人物已經(jīng)從過(guò)去的悲傷中走了出來(lái)，這里可以體現(xiàn)整部片子的人物生活性情的改變，說(shuō)明我們現(xiàn)實(shí)也許要……
英文電影《哈利波特》觀后感（九）
Harry Potter is a series of seven fantasy novels written by British author J. K. Rowling. The books chronicle the adventures of the eponymous adolescent wizard Harry Potter, together with Ron Weasley and Hermione Granger, his best friends. The central story arc concerns Harry's struggle against the evil wizard Lord Voldemort, who killed Harry's parents in his quest to conquer the wizarding world, after which he seeks to subjugate the Muggle (non-magical) world to his rule.
英文電影《后天》觀后感（十）
Today, we watched a movie, the name of this movie was called:The day after tomorrow.What this movie speaks BE:A world happened to become cold affairs in the world,What to broadcast it is an etc. the region temperature nasty play in New York to descend in the movie, is almost each to descend more than ten degree.The sky still descends terrible hail, also having more afraid of of
Tornado, city in New York became to break city for an instant after being cut through by tornado, making the whole city become more without results one.
This really lets the person touch eyes shocking, make the person's heart can't fall calm once in a very long while, although exaggerate very in the movie, but we now not just so:world become warm...So ask the classmates to rise from the do-it-yourself, environmental protection, make our environments more beautiful!
英文電影《口是心非》觀后感（十一）
When it comes to spy thrillers, Tony Gilroy knows the game. The formula for a crackling entry into this genre is simple enough: keep the action moving and the twists coming, then engage in one late innings sleight of hand that pulls the rug out from under everything. Gilroy, with an adroitness Hitchcock might admire, works admirably in this arena, turning in a screenplay that's more diabolical and pulpy than his convoluted directorial debut, Michael Clayton, but no less fun. He maximizes his assets, and considering the wattage of his stars, they are considerable. Although one could not consider the plot for Duplicity to be air-tight, the holes are small enough for things to remain afloat until after the proceedings have ended. A post-movie dissection on the way home in the car will reveal some obvious plotting problems.
英文電影《重回17歲》觀后感（十二）
Mike O'Donnell's wife wants a divorce, his kids are remote, he didn't get the job promotion he expected, and everything else in his life has gone wrong since that magic year when he was 17, a basketball star, in love, and looked like Zac Efron instead of Matthew Perry. He's obviously a case for treatment by a Body Swap Movie.Revisiting the trophy case at his old high school, Mike encounters a janitor who, from the way he smiles at the camera, knows things beyond this mortal coil. If only Mike could go back to 17 and not make all the same mistakes. In "17 Again," he can. He falls into a Twilight Zone vortex and emerges as Zac Efron. They say be careful what you wish for, because you might get it. Mike should have been more specific. Instead of wishing to be 17 again, he should have wished to go back 20 years in time.Yes, he becomes himself trapped inside his own 17-year-old body.
I attended a screening held by a radio station, which attracted mainly teenage girls who left their boyfriends behind. When Zac Efron took off his T-shirt, the four in front of me squealed as if there were buzzers in their seats. Now that he's a little older, Efron has a Tom Cruiseish charm, and a lot of confidence. Why Matthew Perry was cast as his adult self is hard to figure; does your head change its shape in 20 years?
英文電影《the devil wears prada》觀后感（十三）
Everyone knows that Meryl Streep is the high priestess of drama, but she never gets enough credit for her comedy skills. That should change with The Devil Wears Prada, a sinfully funny, deliciously glossy take on the 2003 best seller by Lauren Weisberger, who denies writing it as a poison-pen letter to her former boss, Vogue editor Anna Wintour. The names have been changed, of course, to ward off lawsuits. Stepping up to the plate as imperious fashion editor Miranda Priestly, Streep knocks every laugh out of the park. More remarkably, she humanizes a character who was little more than a bitch in Manolos on the page.
Streep teams up hilariously with Anne Hathaway as Andy Sachs, the "smart fat girl" (she's a mere size 6) who applies for the job as Miranda's junior assistant at Runway magazine. Andy, a journalism major at Northwestern, had her eye on The New Yorker, but is told that if she can run the gantlet of Miranda for a year, there is no publishing Everest she can't climb. Before you can say "makeover,"Andy is transformed from a gawky giraffe into a swan who can trade up in lovers -- from sweet chef (Adrian Grenier) to literary stud (Simon Baker) -- and from cotton blends to chicest of Valentino, Chanel, Donna Karan, Bill Blass, Galliano and Prada. Guys who know squat about labels can take pleasure in the uberbabes wearing the threads.
Director David Frankel makes expert use of the light touch he brought to HBO's Entourage and Sex and the City. And screenwriter Aline Brosh McKenna leeches out the book's malice in favor of wicked sass. Does the movie bite the fashion hand that feeds it? You bet. But it also pays due respect to the artful details turning the wheels of an industry that only seems frivolous. There's no doubt Andy learns much from watching Miranda at work, even with all the insults and fool's errands. The script tries to paint Miranda into a corner -- the lonely careerist who can't keep a husband or find personal happiness -- but Streep won't wallow in the cliches of victimhood. In a party of a movie, her performance is a comic and dramatic tour de force. comic and dramatic tour de force.
英文電影《Half-Blood Prince》觀后感（十四）
"Harry Potter and the Half-Blood Prince" — The sixth movie in J.K. Rowling's fantasy series about the young wizard is the franchise's best so far, blending rich drama and easy camaraderie among the actors with the visual spectacle that until now has been the real star.
The hocus-pocus of it all nearly takes a back seat to the story and characters this time, and the film is the better for that, brimming with authentic people and honest interaction — hormonal teens bonding with great humor, heartache that will resonate with anyone who remembers the pangs of first love. The movie escalates the peril for Harry (Daniel Radcliffe) and his best pals, Hermione Granger (Emma Watson) and Ron Weasley (Rupert Grint), while giving the threesome that first collaborated as prepubescent kids their best platform yet to show their maturing acting chops.
Director David Yates, who made the fifth film and is doing the final two, stays true to the Rowling recipe yet infuses it with a freshness and energy that make it seem like a new start, not the stale old chapter six it could have been. Harry's main challenge this time involves an assignment from headmaster Dumbledore (Michael Gambon) to retrieve a critical memory that a new teacher (Jim Broadbent) possesses about the evil Lord Voldemort.
Along with the splendid visuals, the movie offers stirring support from Alan Rickman, Helena Bonham Carter, Maggie Smith, Robbie Coltrane and other co-stars. PG for scary images, some violence, language and mild sensuality. 153 minutes. Three and a half stars out of four.
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