簡愛讀書筆記共15篇
當(dāng)細(xì)細(xì)品完一本名著后，相信大家一定領(lǐng)會了不少東西，不妨坐下來好好寫寫讀書筆記吧。怎樣寫讀書筆記才能避免寫成“流水賬”呢？下面是小編為大家收集的簡愛讀書筆記，供大家參考借鑒，希望可以幫助到有需要的朋友。
簡愛讀書筆記1
this is a story about a special and unreserved woman who has been exposed to a hostile environment but continuously and fearlessly struggling for her ideal life. the story can be interpreted as a symbol of the independent spirit.
it seems to me that many readers’ english reading experience starts with jane eyer. i am of no exception. as we refer to the movie “jane eyer”, it is not surprising to find some differences because of its being filmized and retold in a new way, but the spirit of the novel remains----to be an independent person, both physically and mentally.
jane eyer was a born resister, whose parents went off when she was very young, and her aunt，the only relative she had，treated her as badly as a ragtag. since jane’s education in lowwood orphanage began, she didn’t get what she had been expecting——simply being regarded as a common person, just the same as any other girl around. the suffers from being humiliated and devastated teach jane to be persevering and prize dignity over anything else.as a reward of revolting the ruthleoppression, jane got a chance to be a tutor in thornfield garden. there she made the acquaintance of lovely adele and that garden’s owner, rochester, a man with warm heart despite a cold face outside. jane expected to change the life from then on, but fate had decided otherwise: after jane and rochester fell in love with each other and got down to get marry, she unfortunately came to know in fact rochester had got a legal wife, who seemed to be the shadow following rochester and led to his moodineall the time ----rochester was also a despairing person in need of salvation. jane did want to give him a hand, however, she made up her mind to leave, because she didn’t want to betray her own principles, because she was jane eyer. the film has finally got a symbolist end: jane inherited a large number of legacies and finally returned. after finding rochester’s misfortune brought by his original mad wife, jane chose to stay with him forever.
i don’t know what others feel, but frankly speaking, i would rather regard the section that jane began her teaching job in thornfield as the film’s end----especially when i heard jane’s words “never in my life have i been awaken so happily.” for one thing, this ideal and brand-new beginning of life was what jane had been imagining for long as a suffering person; for another, this should be what the audiences with my views hoped her to get. but the professional judgment of producing films reminded me to wait for a totally different result: there must be something wrong coming with the excellence----perhaps not only should another section be added to enrich the story, but also we may see from the next transition of jane’s life that “l(fā)ife is like a box of chocolates, you never know what you would get.” (by forrest gump’s mother, in the film “forrest gump”)
what’s more, this film didn’t end when jane left thornfield. for jane eyer herself, there should always be somewhere to realize her great ideal of being independent considering her fortitude, but for rochester, how he can get salvation? the film gives the answer tentatively: jane eventually got back to rochester. in fact, when jane met rochester for the first time, she scared his horse and made his heel strained, to a certain extent, which meant rochester would get retrieval because of jane. we can consider rochester’s experiences as that of religion meaning. the fire by his frantic wife was the punishment for the cynicism early in his life. after it, rochester got the mercy of the god and the love of the woman whom he loved. here we can say: human nature and divinity get united perfectly in order to let such a story accord with the requirements of both two sides. the value of this film may be due to its efforts to explore a new way for the development of humanism under the faith of religion.
life is ceaselessly changing, but our living principles remain. firmly persisting for the rights of being independent gives us enough confidence and courage, which is like the beacon over the capriccioso sea of life. in the world of the film, we have found the stories of ourselves, which makes us so concerned about the fate of the dramatis personae.
in this era of rapid social and technological change leading to increasing life complexity and psychological displacement, both physical and mental effects on us call for a balance. we are likely to find ourselves bogged down in the sargasso sea of information overload and living unconsciousness. it’s our spirit that makes the life meaningful.
heart is the engine of body, brain is the resource of thought, and great films are the mirrors of life. indubitably, “jane eyer” is one of them.
簡愛讀書筆記2
寒假里，讀了《簡愛》一書，頗有感想！
書里主要寫了女主人公簡·愛從小是個(gè)孤兒，寄養(yǎng)在舅母家里。由于她沒有財(cái)產(chǎn)、沒有地位，自幼就受到凌虐和歧視。也許正是因?yàn)檫@一切，換回了簡愛無限的信心和堅(jiān)強(qiáng)不屈的性格，一種可戰(zhàn)勝的內(nèi)在人格力量。她堅(jiān)定不移地去追求一種光明的，圣潔的，美好的生活之后，她進(jìn)入了羅沃德學(xué)校學(xué)習(xí)。畢業(yè)后，簡·愛來到桑菲爾德莊園任家庭教師，她的自尊、自愛和自信贏得了人們的敬重。在與主人羅切斯特先生相處的過程中，兩人都被對方的氣質(zhì)所吸引，他們經(jīng)歷了無數(shù)的挫折和磨難，最終走到了一起。
讀完此書，我被簡·愛那獨(dú)立自主、自強(qiáng)不息的精神品格所感動(dòng)，那豐富、明確、堅(jiān)定的追求女性在社會上的`獨(dú)立和尊嚴(yán)的個(gè)性所震撼，我憎恨里德太太，她對窮人的痛恨是簡·愛以及讀者都難以忘記的，她作為簡·愛的舅母，狠心地將年僅十歲的簡·愛送進(jìn)孤兒所，并一心盼望她在瘟疫中死掉！這是多么不負(fù)責(zé)任��！想想自己是多么幸福啊！
《簡愛》就像是現(xiàn)實(shí)生活中的“灰姑娘”的奮斗史，簡·愛堅(jiān)強(qiáng)地面對困難，挫折，她還追求男女間的平等，窮人與富人之間的平等。正如她所說的那樣：“我跟你一樣有靈魂，也同樣有一顆心！”
《簡愛》教會了我們堅(jiān)強(qiáng)地面對生活中的挫折，她也同樣教會了我們要平等對待生活中的事物以及各式各樣的人，她還教會了我們要在生活中自強(qiáng)自立……
記得有一次，我數(shù)學(xué)題目做不出來，我也沒有認(rèn)真地思考一下，就讓媽媽幫忙，但媽媽說他沒有空，叫我自己思考去解決問題�？晌覅s偷懶，吵著讓父親教我。媽媽就讓我反復(fù)看書上的例題，讓我真正看懂了，再讓我做作業(yè)題，我一下子全懂了！我終于明白了，我們遇到困難時(shí)要有信心、要敢于面對困難、學(xué)會自力更生。
我反復(fù)讀了好幾遍《簡愛》，也流了好多的眼淚，是同情、感動(dòng)的眼淚，也樹立了奮發(fā)進(jìn)取、自強(qiáng)自立的信念。漫漫人生路上，《簡愛》是我的精神財(cái)富，將鼓勵(lì)我不斷前進(jìn)。
簡愛讀書筆記3
這幾天剛讀完簡愛，心中還沉浸在主人公簡愛的世界里，不能自拔，也許還是因?yàn)椴怀墒�，所以看得一知半解，不能了解簡愛的心理，也許，簡愛就是作者夏洛蒂勃朗特心中的自己吧。
我并不喜歡簡愛這個(gè)人，她過于倔強(qiáng)，（www。64Foot。CoM）性格又很孤傲，而且又是個(gè)不善言談的人，我最不喜歡她的結(jié)局，但我相信，她選擇了一條自己所熱愛的.道路。
在生活中，我們每一個(gè)人都會遇到一件事情有兩種甚至多種選擇，這些選擇將會決定我們的一生，這時(shí)，我們會像簡愛一樣，毅然決定過自己想要的生活嗎？
我雖然無法理解作者為什么這樣寫簡愛的結(jié)局，但我相信，簡愛很幸福。
過自己想要的生活吧！幸福，就足夠了。
簡愛讀書筆記4
簡·愛生存在一個(gè)父母雙亡，寄人籬下的環(huán)境，從小就承受著與同齡人不一樣的待遇，姨媽的嫌棄，表姐的蔑視，表哥的侮辱和毒打……這是對一個(gè)孩子的尊嚴(yán)的無情踐踏，但也許正是因?yàn)檫@一切，換回了簡·愛無限的信心和堅(jiān)強(qiáng)不屈的精神。
簡·愛，她追求獨(dú)立的人格，追求男女之間精神的平等。雖經(jīng)歷不幸卻熱愛生活，并把愛帶給每個(gè)需要她的人。簡·愛的一生，雖談不上轟轟烈烈，但卻是平凡而不平庸。在我心中，簡·愛就像一個(gè)充滿智慧、充滿愛心并努力使自己生命得到最大張揚(yáng)的人。她的生命，有如彗星的閃亮和美麗。
在這條文字愛情長廊里，夏綠蒂勃朗特在《簡愛》中創(chuàng)造的簡愛和羅切斯特之愛是其中一顆璀璨的明珠，具有獨(dú)特的魅力。感情豐富、獨(dú)立自尊、聰慧過人的簡愛與外表狂野但不失風(fēng)度的羅切斯特先生之間的愛情可以說是感動(dòng)了后世無數(shù)的男女。
簡羅之愛歷經(jīng)百年依然如此打動(dòng)人心，可見其獨(dú)特魅力。這段曠世姻緣為什么能夠感動(dòng)后世如此多的男女呢？也許是因?yàn)檫@段戀情對愛情兩字做了很多經(jīng)典詮釋，給了渴望認(rèn)識愛，得到愛的人們無數(shù)的啟示�？梢哉f，簡愛與羅切斯特對愛的感受與和理解具有人類情感的共同特點(diǎn)，是普遍的，所以才能能超越地域與年代，引起千萬人的共鳴。
簡愛與羅切斯特的愛情發(fā)源于靈魂深處，建立在平等精神的基礎(chǔ)上，歷經(jīng)了種種世俗的磨難，彼此充滿了崇高的獻(xiàn)身精神，最后終于求得了一個(gè)溫馨圓滿的結(jié)局。你可以說他是靈魂之愛，是平等之愛，是滄桑之愛，是崇高之愛或者是世俗之愛。
無論怎么說，他們的`故事都是不落凡塵、動(dòng)人心魄的，讀者都能在他們的故事里感受到最可貴的真愛，也能得到一些愛的啟示，找到一些愛的真諦。總之，一百多年來，《簡·愛》的影響不衰，作家、評論家對它的熱情不減，它至今仍然是廣大讀者喜愛的書。而簡愛與羅切斯特的愛情具有永恒的魅力，是文學(xué)史上一個(gè)永不磨滅的經(jīng)典。
簡愛讀書筆記5
簡愛從小就失去了父母。因此在舅媽家生活。在這個(gè)冷漠的家庭環(huán)境中，簡·愛受到了忍無可忍的折磨待與歧視。簡·愛不是一個(gè)服輸?shù)娜�，更不是一個(gè)弱者。她永遠(yuǎn)反抗歹毒的表哥，冷酷無情的里德太太。簡·愛雖然受到肉體和精神的'雙重折磨，但是她堅(jiān)決不屈服。
在生活中并不是一帆風(fēng)順的，弱者必將淘汰。要學(xué)習(xí)簡·愛不屈服、不放棄、要追求美好的幸福的精神，努力去爭取，屬于自己的空間。
簡愛讀書筆記6
讀了簡愛這本書后，使我懂得了做人要誠懇，要堅(jiān)強(qiáng)。
故事中的女主人公簡愛從小失去了父母，寄養(yǎng)在舅舅家里，雖然百般努力，但仍然難逃舅母歡喜。之后她被關(guān)進(jìn)慈善，在極其惡劣的條件下堅(jiān)持學(xué)習(xí)，當(dāng)了六年學(xué)生和兩年教師。慈善畢業(yè)后，簡愛鼓起勇氣迎接新生活，應(yīng)聘到桑菲爾德莊園當(dāng)家庭教師。就在即將獲得感情的.時(shí)候，一樁隱瞞了15年的秘密使婚禮成為泡影，然后又陰差陽錯(cuò)的得到了惠特克勞斯。一位好心人收留了她，圣約翰和他的兩個(gè)妹妹……
這個(gè)故事告訴我，無論在什么時(shí)間，什么地方，都就應(yīng)老實(shí)，要善待自己的仇人，早晚有一天，他們會被我們感動(dòng)。簡愛就是如此，善待自己的舅母，也是善待自己。
必須要堅(jiān)持，婚禮的秘密沒有讓簡愛放下，而是更堅(jiān)強(qiáng)，能夠說是一種磨練，只要堅(jiān)持下去，努力下去，你必須離自己的目標(biāo)和真愛更近。
簡愛就是我們的典范，你也會堅(jiān)強(qiáng)!
簡愛讀書筆記7
爸爸送了我一本厚厚的《簡·愛》。
首先，不得不說的題外話，就是夏洛蒂·勃朗特。她是最大的姐姐，一個(gè)弟弟酗酒，失去了工作，是家庭的負(fù)擔(dān)。她想要辦學(xué)校，可是沒有人來報(bào)名。有一天，偶然她看見了兩個(gè)妹妹寫得詩，考慮出版，但是雖然寫得很美，卻只有兩個(gè)人買。后來她與妹妹一起寫書，夏洛蒂寫了一本《教師》，沒有出版，兩個(gè)妹妹的書卻通過了。夏洛蒂沒有灰心，還是努力地發(fā)瘋似的寫，寫好了《簡·愛》。審稿人看見這樣的作品，欣喜若狂，不眠不休地批閱完了《簡·愛》。兩個(gè)妹妹分別出了《艾格尼絲·格雷》和《呼嘯山莊》，給她們帶來了極大的榮譽(yù)。
這本書所講述的那個(gè)年代，重男輕女，女孩兒除非出生高貴，否則是沒有好日子過的，簡·愛就是那個(gè)最慘的孩子。但與其他人不同的是，簡·愛是一個(gè)敢于反抗、敢于爭取自由和平等地位的一個(gè)婦女。
一開始，年幼的簡·愛被表哥約翰欺負(fù)，她反抗了。她是那么的勇敢，深深吸引了我。自然是簡·愛吃了虧，被關(guān)進(jìn)了紅房子。下面，是以恩人自居、冷酷無情的舅媽，簡·愛有是那樣一針見血地回?fù)簦估锏绿埠ε缕饋�。她只是一個(gè)瘦弱的小女孩，沒有身份沒有地位沒有錢，她可以這樣，不怕挨打嗎？在那個(gè)時(shí)代的人會驚呼：她在做什么？反抗嗎？反抗有好結(jié)果嗎？以里德太太這樣身份的人完全可以欺負(fù)她甚至殺了她啊！簡·愛害怕，她當(dāng)然害怕，但她渴望的是那種平等和自由��！
在后面，簡·愛解答了：“我現(xiàn)在跟你說話，并不是通過習(xí)俗、慣例，甚至不是通過我們的肉體——而是我的精神在和你的精神說話；就像兩個(gè)進(jìn)過了墳?zāi)�，我們站在上帝的腳邊，是平等的——因?yàn)槲覀兪瞧降鹊腵！”
這段話隱藏在那些長篇大論之中，但卻深深震撼了我。就像那天她發(fā)瘋一樣回?fù)艏s翰，揭穿里德，都告訴我們，簡·愛也有自己的尊嚴(yán)，我們也有尊嚴(yán)，她努力維護(hù)自己的尊嚴(yán)，即便被人踐踏、欺負(fù)，她依然頑強(qiáng)地告訴別人，我們是完全平等的！正是因?yàn)榱_切斯特滿足了簡·愛的尊嚴(yán)，簡·愛才同意成為羅切斯特的妻子。
簡·愛很平凡，完全可以埋沒在人群里。是的，她貌不驚人，身材矮小，一無所有，但她的氣質(zhì)是那樣的出眾，她的感情世界是那樣的豐富。她的幸福都是她自己爭奪出來的，自己反抗出來的！
夏洛蒂曾對自己的兩個(gè)妹妹說過：“我要寫一個(gè)女主角給你們看，她和我一樣身材矮小，貌不驚人，然而她卻要和你們所寫的任何一個(gè)女主角更能引起讀者的興趣�！蔽抑皇窍胝f，夏洛蒂，你做到了。
學(xué)著反抗，反抗那些不對的事物，維護(hù)自己的尊嚴(yán)，這是我從《簡·愛》里學(xué)到的最美麗的東西。
簡愛讀書筆記8
《簡愛》這本書講述了簡的一生。對我影響最大的是簡童年所遭受的各種不幸。
簡小時(shí)候，阿姨和阿姨的三個(gè)孩子總是對簡惡言相對，在生活中處處對簡不公平。有幾次，當(dāng)阿姨和兒子殘忍地毆打和責(zé)罵簡時(shí)，我的心對簡產(chǎn)生了一種難以形容的憐憫，并對世俗的不公平和不公平感到憤怒。有時(shí)我會想：如果我很簡單，我會像她一樣默默地忍受這一切，不受世界待遇的.不公平干擾嗎？然后，在女仆白茜的幫助下，簡進(jìn)了一所學(xué)校。在環(huán)境艱苦的學(xué)校里，簡非常努力地學(xué)習(xí)。也許是因?yàn)楹桶⒁碳蚁啾�，她覺得現(xiàn)在在學(xué)校的生活會更好。
后來，簡來到羅斯切特先生家當(dāng)普通家庭教師。但意外地愛上了羅斯切特先生。當(dāng)他們結(jié)婚的那天，她知道羅切斯特已經(jīng)有了妻子，她覺得她必須離開，盡管她說，“我想遵守上帝認(rèn)可的法律，我想堅(jiān)持我清醒的原則，而不是像現(xiàn)在這樣瘋狂。但從內(nèi)心來看，更深層次的是簡意識到自己被欺騙了，她的自尊心被戲弄了，因?yàn)樗類壑_切斯特。簡在愛情、財(cái)富、尊嚴(yán)中選擇了尊嚴(yán)，這也是簡有精神魅力的一點(diǎn)。
然而，在故事的結(jié)尾，卻有了一個(gè)好的結(jié)局。羅斯切特先生的莊園被熊熊大火燒毀，羅斯切特先生也因?yàn)榇蠡鸲鴼垙U。簡在羅斯切特先生最困難的時(shí)刻回到了他身邊，他不再為愛和尊嚴(yán)之間的選擇感到尷尬。
《簡愛》這本書讓我明白，在當(dāng)今社會，人們?yōu)榱私疱X和地位而瘋狂地淹沒愛情。在貧富之間選擇財(cái)富，在愛與不愛之間選擇不愛。很少有人會像簡一樣為愛情和人格放棄一切，毫不猶豫地放棄一切�！逗啇邸愤@本書就像一滴清澈的泉水，凈化了當(dāng)今世界廢棄的心。
簡愛讀書筆記9
Jane Eyre is a young orphan being raised by Mrs. Reed, her cruel, wealthy aunt. A servant named Bessie provides Jane with some of the few kindnesses she receives, telling her stories and singing songs to her. One day, as punishment for fighting with her bullying cousin John Reed, Jane’s aunt imprisons Jane in the red-room, the room in which Jane’s Uncle Reed died. While locked in, Jane, believing that she sees her uncle’s ghost, screams and faints. She wakes to find herself in the care of Bessie and the kindly apothecary Mr. Lloyd, who suggests to Mrs. Reed that Jane be sent away to school. To Jane’s delight, Mrs. Reed concurs.
Once at the Lowood School, Jane finds that her life is far from idyllic. The school’s headmaster is Mr. Brocklehurst, a cruel, hypocritical, and abusive man. Brocklehurst preaches a doctrine of poverty and privation to his students while using the school’s funds to provide a wealthy and opulent lifestyle for his own family. At Lowood, Jane befriends a young girl named Helen Burns, whose strong, martyrlike attitude toward the school’s miseries is both helpful and displeasing to Jane. A massive typhus epidemic sweeps Lowood, and Helen dies of consumption. The epidemic also results in the departure of Mr. Brocklehurst by attracting attention to the insalubrious conditions at Lowood. After a group of more sympathetic gentlemen takes Brocklehurst’s place, Jane’s life improves dramatically. She spends eight more years at Lowood, six as a student and two as a teacher.
After teaching for two years, Jane yearns for new experiences. She accepts a governess position at a manor called Thornfield, where she teaches a lively French girl named Adèle. The distinguished housekeeper Mrs. Fairfax presides over the estate. Jane’s employer at Thornfield is a dark, impassioned man named Rochester, with whom Jane finds herself falling secretly in love. She saves Rochester from a fire one night, which he claims was started by a drunken servant named Grace Poole. But because Grace Poole continues to work at Thornfield, Jane concludes that she has not been told the entire story. Jane sinks into despondency when Rochester brings home a beautiful but vicious woman named Blanche Ingram. Jane expects Rochester to propose to Blanche. But Rochester instead proposes to Jane, who accepts almost disbelievingly.
The wedding day arrives, and as Jane and Mr. Rochester prepare to exchange their vows, the voice of Mr. Mason cries out that Rochester already has a wife. Mason introduces himself as the brother of that wife—a woman named Bertha. Mr. Mason testifies that Bertha, whom Rochester married when he was a young man in Jamaica, is still alive. Rochester does not deny Mason’s claims, but he explains that Bertha has gone mad. He takes the wedding party back to Thornfield, where they witness the insane Bertha Mason scurrying around on all fours and growling like an animal. Rochester keeps Bertha hidden on the third story of Thornfield and pays Grace Poole to keep his wife under control. Bertha was the real cause of the mysterious fire earlier in the story. Knowing that it is impossible for her to be with Rochester, Jane flees Thornfield.
Penniless and hungry, Jane is forced to sleep outdoors and beg for food. At last, three siblings who live in a manor alternatively called Marsh End and Moor House take her in. Their names are Mary, Diana, and St. John （pronounced “Sinjin”） Rivers, and Jane quickly becomes friends with them. St. John is a clergyman, and he finds Jane a job teaching at a charity school in Morton. He surprises her one day by declaring that her uncle, John Eyre, has died and left her a large fortune: 20,000 pounds. When Jane asks how he received this news, he shocks her further by declaring that her uncle was also his uncle: Jane and the Riverses are cousins. Jane immediately decides to share her inheritance equally with her three newfound relatives.
St. John decides to travel to India as a missionary, and he urges Jane to accompany him—as his wife. Jane agrees to go to India but refuses to marry her cousin because she does not love him. St. John pressures her to reconsider, and she nearly gives in. However, she realizes that she cannot abandon forever the man she truly loves when one night she hears Rochester’s voice calling her name over the moors. Jane immediately hurries back to Thornfield and finds that it has been burned to the ground by Bertha Mason, who lost her life in the fire. Rochester saved the servants but lost his eyesight and one of his hands. Jane travels on to Rochester’s new residence, Ferndean, where he lives with two servants named John and Mary.
At Ferndean, Rochester and Jane rebuild their relationship and soon marry. At the end of her story, Jane writes that she has been married for ten blissful years and that she and Rochester enjoy perfect equality in their life together. She says that after two years of blindness, Rochester regained sight in one eye and was able to behold their first son at his birth.
簡愛讀書筆記10
One hundred and sixty years ago, when Charlotte Bronte created Jane Eyre, she could have never thought that it would become eternal. As a matter of fact, in the world of today, there are tens of thousands of Jane Eyre, each living in a reader’s heart, breathing with him the same air and sharing with him the same happiness and sorrow. Her rich mental world has become an inexhaustible resource of spiritual power. From Jane Eyre, people who are timid and shy get confidence and self-respect; people who feel imprisoned get independence and freedom; people who are lonesome get love and care. However, what I get from Jane Eyre is the courage of inner questioning and self exploring. Who is Jane Eyre? As the story extends, more and more things are added to the answer. From the beginning, we know that Jane is a young orphan raised by Mrs. Reed, her cruel, wealthy aunt. From her experience at the Lowood School, we found Jane a plain-featured but intelligent and honest girl. Her courage to fight with all the hardships, oppression and inequality makes a deep impression on us. When she meets Rochester and St. John, Jane shows us both her passion for love and her sticking to her principles of justice, human dignity and morality. While we are getting to know more about Jane Eyre, she is also exploring herself. When she leaves Gateshead, the little girl doesn’t know what to expect in the future. She has endured so much unfair treatment that all she desires is freedom. However, when Jane gets freedom, she finds herself yearning for new experiences, which can change her life of loneliness and neglect. She follows her innermost feelings and accepts a governess position at a manor called Thornfield, where she falls head over heels in love with her employer, Rochester. Then it comes to the most important decision that Jane has to make in her life. Rochester already has a wife, but Jane wonders how she could ever find another man who values her the way Rochester does. To leave, or to stay, Jane is caught in a dilemma. At this moment, Jane closes her eyes and looks into her soul. I can well remember the words she says to herself: “I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself.” Guided by her soul, she flees temptation and leaves Thorfield. The second test comes when St. John urges Jane to accompany him to India as his wife. In many ways, the proposal tempts her, but it also means sacrificing passion altogether and devoting herself wholly to principles. Where to go? Again, Jane softly touches her innermost feelings. Who am I? What am I longing for? Is it pure freedom, or passion of love, or principles? From Gateshead to the Lowood, from the Lowood to Thorfield, from Thorfield to Moor House then to Ferndean, Jane has finally got the answer. Having gone through all these years, Jane no longer goes to extremes. What she is seeking for throughout her life is a kind of perfect balance between moral duty and earthly pleasure, between obligation to her spirit and attention to her body. Jane knows herself well and thus can have the strength to hold her own bliss in hand. Jane Eyre sets us a perfect model of inner questioning and self exploring. How about us? Looking back on the development of Jane Eyre’s character, we can see clearly the important role inner questioning and self exploring has played. “What you are you do not see, what you see is your shadow.” Self-knowledge is a hard process that everyone must go through. There are times when we are overwhelmed by all kinds of desires and lose ourselves in the crowded world. There are times when we just follow what others are doing and abandon our own dreams. To be specific, when asked why you are at school, how many students can honestly say that their answer well reflects their soul?
Actually, it is the question that my Grandpa asked me one day. We were working together in the garden, talking about my school life. I told him that as senior three students, we often have to burn midnight oil. “You are working hard!” he smiled, and then looking me in the eye, he asked, “But do you know what you are studying for?” I stammered. At that moment, I was completely at a loss. What am I studying for? Is it simply for getting a good score in exams or entering a good university and then finding a good job and leading a comfortable life? I feel confused. Grandpa patted on my shoulder, “You know something? Every brilliant life is different. What kind of life do you yearn for, my dear?”
I didn’t answer Grandpa. Only then did I realize how little I knew about myself. I have never before questioned myself what I really want. I thought about Jane Eyre. She is always exploring and questioning herself. That is why she is able to make her perfect life. Jane Eyre gives me the strength. Now it’s time for me to look into my soul to see who I am and what I am longing for. I will no longer wander around, the moment my soul answers me with her deepest voice. I will fix my eyes on the road ahead, my own road, and keep going. I will hold my brilliant life in hand.
簡愛讀書筆記11
《簡·愛》是我讀過的第一部外文小說，也是對我影響最深的書籍之一。我很喜歡小說中的女主角——簡愛，她是一個(gè)對自己的思想和人格有著理性認(rèn)識的女性，一個(gè)對自己的價(jià)值和情感做出了獨(dú)立判斷的女性，一個(gè)對自己的幸福和情感有著堅(jiān)定追求的女性。在我的眼中，簡愛就是墜落凡間長著潔白翅膀的天使。
簡愛之所以能深深地打動(dòng)了一代又一代讀者的心，不是因?yàn)樗罱K的愛情救贖，而是因?yàn)樗幸活w從來都不被人性丑惡侵蝕而異化的心……世情百態(tài)，嘗遍苦痛;塵世紛擾，我性依然。此種信念和力量，唯簡獨(dú)有。
簡愛的童年是苦澀的，從小無父無母，被迫寄養(yǎng)在舅母家。少爺?shù)膶M，小姐的傲慢，夫人的惡意，仆人的偏見，都在折磨著她。然而這些還不夠，隨著舅父的去世，舅母把她送進(jìn)了羅沃德孤兒院，一所從肉體到精神對孩子們進(jìn)行宗教束縛摧殘的所謂慈善機(jī)構(gòu)。在那里，冷酷的院長將她無情地隔離，對她進(jìn)行著精神和肉體上的雙重摧殘。
在這黑暗的日子里，海倫是她唯一的陽光，簡愛第一次感受到了愛的沐浴。不幸的是，海倫在院長的欺負(fù)中患上肺結(jié)核，最終死去了。簡愛趴在海倫的墓上，向生命中的每一束陽光告別，從此她變得堅(jiān)強(qiáng)、勇敢。
這是一種涅槃。簡愛在羅沃德度過了人生中最黑暗的十年，但是這也造就了她的堅(jiān)強(qiáng)與剛毅。上帝總是公平的，桑菲爾德莊園的女管家聘用了她，在這里她迎來了一生中最幸福的時(shí)光，她的生活里有了音樂，有了陽光，有了溫暖……
夕陽西下，霜霧彌漫。簡獨(dú)自散步，羅切斯特騎馬而來，緣定一見鐘情。然而當(dāng)心目中的王子為了試探她而假意要娶某貴族小姐時(shí)，她憤怒地說：“你以為，因?yàn)槲腋F，低賤，不美，矮小，我就沒有靈魂沒有心嗎?你想錯(cuò)了!我的靈魂跟你一樣，我的心也跟你的完全一樣!就如我們站在上帝跟前是平等的，因?yàn)槲覀兪瞧降鹊?”簡愛是勇敢的，因?yàn)樗龍?jiān)信人在精神上都是平等的，她追求的是兩顆心的平等結(jié)合。當(dāng)幸福即將要來臨的時(shí)候，羅切斯特的瘋妻出現(xiàn)了，簡愛并沒有委屈求全，她離開了羅切斯特，去尋找新的生活出路。
時(shí)空像蛛絲一樣交縱前行，因果輪回，面對曾欺負(fù)過自己的.舅媽，簡愛以德報(bào)怨，照顧她直至生命的盡頭。當(dāng)她得知羅切斯特為了拯救在火中的妻子不幸雙目失明，軀體嚴(yán)重殘疾，完全喪失了生活能力時(shí)，她又毫不猶豫地趕回桑菲爾德，留在他身邊，照顧他，愛他。上帝用時(shí)光繪出了一幅幅浮世繪。多少人狠毒之極，多少人見利忘義，多少人以怨報(bào)德?
愈是物質(zhì)空前凸顯的時(shí)代，愈是要仰望道德的星空!簡愛就像一個(gè)充滿智慧、充滿愛心并努力使自己生命得到最大綻放的精靈。她的生命，有如彗星閃亮而美麗，她的信念，有如磐石堅(jiān)韌而不移，她的所想所為所展現(xiàn)出來的力量，是生命的極善極美極愛。她用自己瘦弱的肩膀扛起大千世界的萬般丑惡和罪孽，卻用心里那盞永不息滅的燭光消融了人世冷漠的冰霜。
就讓我們順著這條愛的索道不斷攀越，或許也會途徑暗夜苦雨，也有霧霾寒冬，也有風(fēng)沙遍野，但是請相信，千山萬水一路走過，眼前的世界，一定是風(fēng)光旎麗，春暖花開……
簡愛讀書筆記12
暑假期間，我看了一本名為《簡愛》的世界書。
簡愛是一個(gè)孤兒，但她善良美麗，有勇氣戰(zhàn)斗，能勇敢地追求自己的理想，并為之不懈努力。即使愛德華最終一無所有，她仍然無怨無悔地陪伴著他，她的品質(zhì)深深地打動(dòng)了我。
簡愛的母親也是一個(gè)有勇氣追求愛的人。作為一名富有的'女士，她不顧別人的反對嫁給了一位貧窮的牧師。當(dāng)簡愛一歲時(shí)，她的父母去世了，她父親的親戚也沒有聽到任何消息。簡愛住在她姑姑家里，遭受了折磨。我仍然愚蠢地認(rèn)為她會找到她父親的親戚，從那時(shí)起，她無憂無慮，但命運(yùn)不想讓她走。她被送進(jìn)了學(xué)校。學(xué)校里沒有好的食物和環(huán)境，但即便如此，她也學(xué)到了很多。在這所學(xué)校呆了八年后，她終于離開了，成為了一名家庭教師，并愛上了她的主人羅切斯特。當(dāng)羅切斯特向簡愛求婚時(shí)，我認(rèn)為一切都會結(jié)束，他們會永遠(yuǎn)快樂。羅切斯特有一個(gè)妻子，簡愛不想成為世界所鄙視的小三，堅(jiān)定地離開了她深愛的羅切斯特，但她怎么能忘記羅切斯特呢？她放棄了巨額財(cái)產(chǎn)，回到桑菲爾德，原來的豪宅變成了廢墟，原來的羅切斯特，失明的眼睛，廢棄的腳，但她無怨無悔。
原來她什么都沒有。之后，她有了羅切斯特。她本可以和羅切斯特在一起，但這樣做，簡愛不是簡愛。她無才無貌，自尊心強(qiáng)，不會違背良心和羅切斯特在一起。羅切斯特只是愛她。如果簡愛不離開，他們就不會這么開心了。
簡愛的命運(yùn)是曲折的，從紅色的房子到學(xué)校，從學(xué)校到桑菲爾德，從桑菲爾德到廢墟，如果是我們，已經(jīng)精神崩潰，更不用說自我完善，所以我們想學(xué)習(xí)簡愛的高尚品質(zhì)，不能抱怨
要自強(qiáng)自立，自尊自愛，不要因?yàn)橐稽c(diǎn)挫折就難過，不要因?yàn)橐稽c(diǎn)困難就放棄。
簡愛讀書筆記13
《簡·愛》是19世紀(jì)英國著名作家夏洛蒂·勃朗特的代表作。人們普遍認(rèn)為《簡·愛》是夏洛蒂·勃朗特“詩意人生”的反映，是一部帶有自傳色彩的作品。夏洛蒂·勃朗特、艾米莉·勃朗特、安妮·勃朗特和勃朗寧夫人構(gòu)成了那個(gè)時(shí)代英國女性最高榮譽(yù)的完美三位一體。
《簡·愛》是一部帶有自傳色彩的`小說。它解釋了這樣一個(gè)主題：人的價(jià)值=尊嚴(yán)+愛。
《簡·愛》第一次出版時(shí)，夏洛蒂·勃朗特用了科爾伯特這個(gè)筆名。以至于她的姐妹們后來把她錯(cuò)當(dāng)成了那本書。幸運(yùn)的是，她在重印的《簡·愛》中澄清了事實(shí)。
《簡愛》是一部帶有自轉(zhuǎn)色彩的長篇小說，它闡釋了這樣一個(gè)主題：人的價(jià)值=尊嚴(yán)+愛。
在這本書里滲透著最多的就是女性的獨(dú)立意識。讓我們試想一下，如果簡愛的獨(dú)立，早已被扼殺在寄人籬下的童年生活里;如果她沒有那份獨(dú)立，她早已和有妻女的羅切斯特生活在一起，開始了有金錢、有地位的新生活。如果她沒有那份純潔，我們此刻手中的《簡愛》也不再是令人感動(dòng)的流淚的經(jīng)典。為什么《簡愛》讓我們感動(dòng)?——就是她獨(dú)立的性格，令人心動(dòng)的人格魅力。
簡愛讀書筆記14
讀完這本書，我感到無比地充實(shí)。我認(rèn)為它的成功在于書中主人翁簡·愛敢于向惡勢力反抗的堅(jiān)強(qiáng)性格。
在桑菲爾德府，當(dāng)她的理想被男主人羅切斯特摧毀，她毅然離開自己所愛的人，去尋找屬于自己的天堂。在沼澤居，她貧苦而快樂，為塵世的凡人證明自己的尊嚴(yán)，她認(rèn)為：難道就因?yàn)槲乙回毴缦�、默默無聞、長相平庸、個(gè)子瘦小，就沒有靈魂，沒有心腸了？——我的心靈跟你一樣豐富，我的心胸跟你一樣充實(shí)！
然而，她遇到的`人個(gè)個(gè)都歧視她，但她堅(jiān)強(qiáng)地說：“我要用明天的學(xué)問，明天的財(cái)富，我的人格來贏得尊重�！彼膱�(jiān)定信念終于使她走向幸福的彼岸。
《簡·愛》是一部帶有強(qiáng)烈反封建傾向的資產(chǎn)階級民主主義女性獨(dú)立斗爭的小史詩。它以女主人公簡·愛對抗壓迫，爭取平等的精神感動(dòng)了數(shù)億讀者。
這本書告訴我們：人生的價(jià)值在于拼搏，在于斗爭！因此，只有勇于拼搏，不甘平庸的人，才能獲得成功的喜悅！
簡愛讀書筆記15
前些天我最后把我一向想讀但就是一向由于種種原因沒有讀的“簡愛”一口氣讀完了。
當(dāng)我讀到主人公簡愛在蓋慈海德府被14的暴君欺負(fù)的時(shí)候，我義憤填膺；當(dāng)我讀到主人公簡愛堅(jiān)持自己的'感受而流落街頭時(shí)，我為她而驕傲；當(dāng)簡愛主人公簡愛把舅舅給的巨款平均分配給姐姐哥哥時(shí)，我感到可貴；最可喜可賀的就是簡愛最后找尋到了自己的幸福時(shí)，我由衷的感到幸福。
我覺得這本書最可貴的地方在于讓我們明白了：“即使一個(gè)人的社會地位再低，再貧窮，再弱小，他也有權(quán)利追求自己的幸福，因?yàn)槊總�(gè)人在人格上都就是平等的，我們沒有理由去歧視任何一個(gè)人�！�
簡愛成功的演繹了一個(gè)灰姑娘不放下自己，為自己想得到的東西而奮斗的經(jīng)歷。我們每個(gè)人都就應(yīng)向他一樣無論何時(shí)何地做自己，堅(jiān)持自己，不放下自己。
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